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0’15", 16:9 An enhanced version of the BBCi trailer, with added ident and a better version of the logo, featuring clips from Rose. Also – Variant appears on the "Complete First Series" DVD box set, without the ident and missing the theme tune, but with the better version of the logo. |
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3’05", 16:9 In their second location report, BBC Wales visits the set of Boom Town. Matt Murray shows a pillarboxed clip of Resurrection of the Daleks before interviewing Ed Thomas. Ed tells us that they’ve tried their best within the budget – pillarboxed clips from The Monster of Peladon, Carnival of Monsters, City of Death, Frontios, The Ark, Pyramids of Mars, Spearhead from Space, Genesis of the Daleks and The Time Warrior are shown to demonstrate the poor effects of yesteryear. Fan Kristian Barry talks about the various toys available and coming soon, and Russell T Davies discusses the use of Cardiff throughout the production, comparing Boom Town to Cold Feet as something that would show its setting off as a beautiful place in itself. Two clips from one show. |
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3’16", 4:3 Special guest Paris Hilton appears in a sketch promoting porn for geeks. After various D&D, Star Wars, Star Trek and Lord of the Rings jokes, Hilton puts on a scarf and invites us into her TARDIS. |
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0’09", 16:9 Three trailers featuring clips from Rose, World War Three, Aliens of London and the opening credits (with added wording, and occasionally in a different colour), some of which have added visual effects. The Peter Howell version of the theme is used. |
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0’14", 16:9 Three trailers featuring clips from Rose, World War Three, Aliens of London and the opening credits (with added wording, and occasionally in a different colour), some of which have added visual effects. The Peter Howell version of the theme is used. |
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0’27", 16:9 Three trailers featuring clips from Rose, World War Three, Aliens of London and the opening credits (with added wording, and occasionally in a different colour), some of which have added visual effects. The Peter Howell version of the theme is used. |
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1’55", 16:9 BBC News announces that Doctor Who will be back at the end of the month, but also refers to an ongoing investigation after the first episode had appeared on the internet. David Sillito reports on this, although primarily focusses on the better effects and characters (showing clips from ‘Rose’). Eccleston talks about how "painful" the early negative reviews have been. A cropped clip from the Tom Baker opening credits leads into an interview with fan Ray Philips, who speaks from inside a Dalek about how upsetting it was when the show was first cancelled. A cropped clip of City of Death followed by another from Rose demonstrates the differences between the old and new versions. |
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6’40", 16:9 Rebecca John reports from the Cardiff Bay launch night. She shows some clips from Rose, and then talks about the leak of the episode (BBC bosses have asked that fans realise it was an unfinished version – which, erm, it wasn’t really). Russell T Davies talks about reeking havoc on Howells, finishing filming, the local locations, what the ninth Doctor is like and the scares in the new series. Christopher Eccleston then discusses how the series has gone, how he "begged" for the role and why and finally on humour in the series. Three clips from one show. |
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2’19", slightly widescreen 4:3 Although the 8th was the evening of the press preview, Gordon Burns had prerecorded an interview with Salford-born Eccleston. He talks about the great experience filming, but how much of his life it’s taken over. He claims to have travelled 8442 years since last Tuesday, and warns that the Daleks are back in episode six, and maybe later. He also talks about the great rapport with Piper, and praises Davies’ scripts for giving her such a good part. A cropped clip of ‘Rose’ demonstrates this. Chris is asked about the next season – he says he’s only thinking about this one for now. |
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3’01", 16:9 Entertainment reporter Libby Potter and Doctor Who fan Adam Newell discuss the leaked copy of ‘Rose’ that has been doing the rounds. Newell loved the episode, except the wheelie bins. Potter makes it clear that despite being the entertainment reporter for BBC Three, she hasn’t bothered to watch it, but it’s not very good anyway, especially not where Billie Piper (who plays "the sidekick Rose’s boyfriend") gets attacked by a wheelie bin. Erm, back up there Libby… |
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0’06", 16:9 Two short teasers, each featuring specially-shot closeps of one of the two main characters, who remain silent. |
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0’06", 16:9 Two short teasers, each featuring specially-shot closeps of one of the two main characters, who remain silent. |
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19’39", 16:9 Arts Correspondent David Scillito reflects on the press launch of the previous night, and talks to fan Andrew Green, who can’t believe it’s back. We see some clips from Rose, and then an interview bite with Eccleston who explains that its been slightly modernised. A cropped clip of Genesis of the Daleks demonstrates the terror of the original, and Billie Piper explains that she found the Daleks quite funny. Clayton Hickman and other attendees give it rave reviews. Later in the show, we see a lengthier interview with Eccleston – he talks about not being a fan as a child, trying not to keep the baggage of the old series (such as the sexism and the RP accent), the new monsters (but not the Cybermen – maybe later…), competing with big-budget sci-fi (most of the rivals are missing the message of Doctor Who – "love life"), life with the fans and why he wanted to be the Doctor. Two minute later, we meet some of the fans, in the guise of the Hyde Fundraisers. Andrew Green explains why he loves the show and using a Dalek as a conversation-starter. Ray Philips talks about the design of the Daleks and Robert Ritchie talks about being too young to have his "own" Doctor, but being glad that he’ll finally have one. Later still, there is an interview with Billie Piper. She talks about her prior knowledge of Doctor Who, her understanding of the iconic nature of the Daleks, what makes the new series different (we see behind the scenes footage of Boom Town), Rose’s relationships, with Mickey and the Doctor, attending conventions and not dreaming about Daleks. An extended version of the Eccleston interview portion appeared on the Complete First Series DVD set. |
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4’50", 16:9 After the studio team fake excitement about the new series (clearly preparing to laugh out loud when the ratings roll in showing it to be the dismal failure it’s bound to be), Ben Shepard tells us a little about the launch night and then shows us an interview he made with Eccleston in which he claims his acting will show the alien-ness, and one with Piper where she talks about the Doctor/Rose relationship. |
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1’51", 16:9 Lizo explains the concept of Doctor Who for newcomers, and previews some clips from Rose. Eccleston explains what he thinks is so appealing about the character, and a pillarboxed clip of Genesis of the Daleks is shown. Piper tells us how keen she was to not be constrained by the past. |
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7’50", 16:9 (with 4:3 clips pillarboxed) After some clips of Rose, the new opening credits, a shot of Genesis of the Daleks and a quip about Michael Grade, Jeremy Paxman hands over to media correspondent Steven Smith. Steven gives an overview of recent BBC history over clips of Revelation of the Daleks, and then talks from behind a sofa. He then quickly runs us through the entire history of the show, using the opening credits of Thirty Years in the TARDIS before a clip of Michael Grade from 1986 leads into further Rose footage. Stuart Prebble (CE of ITV from 2001-2002) gives his opinion, which is somewhat lukewarm. Another clip from Thirty Years in the TARDIS introduces Andrew Wainer of DWAS, who raves about the show and points out the differences between Doctor Who and Star Trek. Young people from the London streets seem more confused… Three clips from one show. |
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1’48", 16:9 During an interview, Richard Wilson takes some moments to promote his appearance in Doctor Who. He teases about Daleks and jet powered rocket packs. |
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8’09", 16:9 Russell T Davies appears on Breakfast to promote Doctor Who and Casanova, introduced by a short clip of the latter. He talks of his excitement for Casanova, the research he had to put in and his opinion of the man. Another clip shows Matt Lucas’ appearance, and then discusses the overlap with Doctor Who. A brief clip from Rose moves the conversation onto Doctor Who, where they talk about critics, and what the T stands for in his name. Finally, he talks about his previous job on Coronation Street and whether Eccleston wants more lines in Doctor Who ("less!" replies Davies). |
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3’44", 16:9 The Entertainment Today segment visits the press launch night for the new series, showing a clip of the opening credits, interviewing Eccleston (who admits that he was more excited by his first day on set than this launch night), Piper (who is excited and terrified) and showing a short clip from Rose. They also show off the remote control Dalek toy and then show photos from Rose and The End of the World. |
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0’06", 16:9 Specially shot sequence of the TARDIS dematerialising as a flame engulfs it. This also aired immediately before Rose, but with another trailer impacting it. |
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1’12", 16:9 Host Ann Robinson had previously asked what linked Billie Piper, Bonnie Langford and Peter Purves – here she announces the answer as Doctor Who, and shows cropped clips from the Hartnell title sequence, The Ark, The Trial of a Time Lord and a clip from Rose. She finally informs the audience that Eccleston had never watched the series before because prior Doctors were "too posh". |
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1’09", 16:9 The Sun and The Sunday Times comment on the forthcoming series (via host Krishna Guha), and the Doctor Who theme ends the show. |
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1’00", 16:9 The speedy news show reports that Tom Baker has been voted the UK’s favourite actor to play Doctor Who. Clips from the Baker titles, Thirty Years In The TARDIS, City of Death and Rose (cropped into 4:3) are shown. |
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0’50", 16:9 Four edits of a specially filmed trailer, with Eccleston inviting the viewer ("D’you wanna come with me?") and running away from a ball of flame. The advert concludes with clips from Rose (reversed), Aliens of London, The Unquiet Dead, World War Three and Dalek. Also – 1a and 1b appear on the DVD "Complete First Series" set, without BBC One ident. 1c also appears on the set, without the ident or the final red screen. |
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0’29", 16:9 Four edits of a specially filmed trailer, with Eccleston inviting the viewer ("D’you wanna come with me?") and running away from a ball of flame. The advert concludes with clips from Rose (reversed), Aliens of London, The Unquiet Dead, World War Three and Dalek. 1b – Tight – 0’29" (Essentially the same, but with some of the special footage cut out) Also – 1a and 1b appear on the DVD "Complete First Series" set, without BBC One ident. 1c also appears on the set, without the ident or the final red screen. |
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0’19", 16:9 A short monologue from Billie Piper, in-character as Rose. |
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11’55", 16:9 A clip from Terror of the Autons is used in the show’s opening, and then later another from the Troughton titles. Matthew Sweet talks about having to hide his fannish tendances from those closest to him (cropped clips from The Talons of Weng-Chiang, Spearhead from Space, Invasion of the Dinosaurs, Terror of the Autons, Terror of the Zygons, The Brain of Morbius, the various title sequences, and one clip from Rose are shown). Mark Gatiss enthuses about memories of the Pertwee era, and Sweet talks about the history of gothic horror. Philip Hinchcliffe explains the different levels within one audience, and Sweet explains more about this history at the time. Russell T Davies appears, and prays that the modern day audience will ‘get’ his vision of Who. Another clip of Rose is shown, and Davies looks forward to the reaction to a certain deadly wheelie bin. He’s quietly confident that the show will go down well. Sweet attends the Cardiff launch night, and gives Rose rave reviews, and introduces one last clip. Davies finished by telling Sweet off for hiding his fannishness all these years… Three clips from one show |
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29’58", 16:9 The BBC2 Wales show presents a lengthy interview with Russell T Davies, hosted by Sian Williams. After a montage of clips from his previous work (and Rose), he talks about how he feels building up the broadcast (he’s more nervous about the ratings coming through on the Monday), his first TV job (at BBC Wales, on Why Don’t You), how he slipped into writing, Dark Season (a clip is shown of Jaqueline Pearce and Kate Winslet), early influences during childhood he now uses in Doctor Who (he tries to remember what thrilled and amused him back then), moving to Manchester and Granada Television, his "influences" for Queer as Folk ("It’s like a documentary" – a clip is shown), enjoying watching his own work, the "responsibility" of making Queer as Folk, the negative feedback, the freedom Queer as Folk later gave him, Second Coming (another clip), wanting to work with Eccleston again, being anti-religious, the oxymoron of Christian death-threats, using criticisms positively, going back to working in Swansea for Mine all Mine (another clip), the recent history of Welsh drama and if Doctor Who will live on (they already have plans for the second series). A clip of Rose is shown, Eccleston being warm and witty, his eccentricness, the aspects he couldn’t get away with changing, the new Daleks, dashing between Manchester and Cardiff, if he’ll be watching his own show (he always does) |
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0’39", 16:9 Four edits of a specially filmed trailer, with Eccleston inviting the viewer ("D’you wanna come with me?") and running away from a ball of flame. The advert concludes with clips from Rose (reversed), Aliens of London, The Unquiet Dead, World War Three and Dalek. 1c – Confidental – 0’39" (As version 1b, but with added Confidential footage at the end) Also – 1a and 1b appear on the DVD "Complete First Series" set, without BBC One ident. 1c also appears on the set, without the ident or the final red screen. |
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0’50", 16:9 Four edits of a specially filmed trailer, with Eccleston inviting the viewer ("D’you wanna come with me?") and running away from a ball of flame. The advert concludes with clips from Rose (reversed), Aliens of London, The Unquiet Dead, World War Three and Dalek. 1d – Special – 0’50" (Similar to the original, but ONLY with special footage – this is extended and recut to cover complete absence of show footage) Also – 1a and 1b appear on the DVD "Complete First Series" set, without BBC One ident. 1c also appears on the set, without the ident or the final red screen. |
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5’01", 16:9 Ben Shephard rehashes his launch night report once again, showing clips from Rose and interviewing Ecclestone [sic] (meeting a pig on his first day, Daleks – with a clip of Genesis of the Daleks, appealing to the kids) and Piper (the Doctor/Rose relationship, taking a while to realise she was in a scifi show, her personal life). |
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9’18", 16:9 Clips from Rose (and the Tom Baker titles, cropped) introduce the high-brow review panel. Ian Rankin, Bonnie Greer and Professor John Carey join Mark Lawson to dissect the first episode. Rankin feels its worked, Greer doesn’t understand it, and feels that it looks cheap, and that the show can’t decide who its aimed at (imagine that, a wide-reaching show), Carey things the cheapness is important (did they WATCH the show?!). Rankin argues that the effects have much improved, but Greer feels it looks like a storyboard. Lawson presents the reaction of some kids – it seemed to go down well. Greer thinks Eccleston has a beautiful face. Thanks love, good contribution. |
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0’57", 16:9 A clip from Rose run over the end credits of Doctor Who and the Daleks, followed by an announcement for Radio 2’s Project: Who?. |
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43’08" (not inc "The Story of" revised
repeat), 16:9 An evening of Doctor Who related programs hosted by Jon Culshaw, filled with cropped clips from the original series, and starting with a revised repeat of The Story of Doctor Who from December 2005. Next Culshaw gives us a rundown of Somethings [sic] You Need To Know About Doctor Who. He talks about the show’s longevity, it’s fans (clips from 1991’s GBH abound), the Doctor’s age and regenerations, Leela’s contact lenses, the Master, the Doctor’s names appearing in Star Trek, references Paul Cornell has slipped into Casualty, Jon Pertwee’s single, phone numbers Tom Baker slipped into the show, Christopher Eccleston, merchandise and Michael Grade (a clip from Room 101 is shown). Finally is Doctor Who Mastermind Special, in which Paul Simpson, Karen Davis, Jed Sweeney and Liam O’Carroll are questioned on their Doctor Who knowledge by John Humphries. Davis wins, and is given her award by Christopher Eccleston (who quickly refers to himself as Doctor Who "for now", and then starts referring to the show in the past tense). |
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12’29", 16:9 Billie Piper appears on the popular chat show to promote Doctor Who. After a clip from Rose, she talks about rubbing Parkinson’s leg, being too young to remember the original series, trying not to be lead by her predecessors’ examples, Rose’s character, her relationship with the Doctor, her marriage with Chris Evans falling apart, the original proposal, the eventual wedding, alcohol in their relationship, how she became a popstar in the first place, Doctor Who taking over her life, and the future for Billie Piper… |
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?’??", 16:9 (Details to follow soon) |
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14’35", 16:9 Philip Schofield and Fern Britton engage in a hilarious routine in which they dress up as past Doctors to open the show. Later, the "eighth" Doctor (good start…) Christopher Eccleston is introduced following a collection of titles clips (and Genesis of the Daleks, all cropped). He talks about the lack of knowledge of the original series (but he knew of the Daleks and the "baked potato" monster, the Sontarans) while clips from Rose, The End of the World and Aliens of London play. Piper talks about remembering equally little and her relationship with Eccleston. Chris admits he doesn’t believe he’ll ever win over the die-hard fands, but hopes he’ll get the eight year olds’ hearts. Russell T Davies is in the studio to talk about how he begged to do the show for years, his fannishness, his past work on children’s shows, the "bigger inside than out" tent in Harry Potter and the Goblet of Fire, levitating Daleks in the new series (and Nick Briggs’ voice). Another cropped clip of Genesis reminds us that they never used to float. We return to Davies to discuss the natural fear of the Dalek design, the Cybermen not coming back (yet!), the aliens in the new series (including his inspirations for Cassandra), how he comes up with alien names ("I sit at home… I have a drink…"), the responsibility of handling something that has such a legacy, how Eccleston chased him for the role and what’s next for Davies… Two clips from one show. |
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8’14", 16:9 After the obligatory clips of Rose, Richard introduces Clayton Hickman and Jon Culshaw. They offer their opinions of the episode (they both enjoyed it – Richard feigns amazement), talk about fear (it’s very scary), if adults will enjoy it (yes, it’s very fast-moving), the stature Eccleston will bring to the role and Culshaw’s impressions. After a cropped clip of Genesis of the Daleks, the poshness of Sarah Jane is under discussion, as is the general companion role and Billie Piper (another standard clip from Rose is shown). Three people pulled from the streets do very bad Dalek impressions, prompting some discussions on the Daleks in the new series. Hickman finishes by talking about the DWM audience. |
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9’28", 16:9 The political discussion show takes a look at the new series. Shaun Ley explains the link: Pertwee’s Doctor got involved in politics (pillarboxed clips from Terror of the Autons and The Green Death appear alongside the Pertwee credits), The Sunmakers commented on taxes, and The Happiness Patrol on Thatcher. Andrew Marr then appears in-studio to talk about his appearance in the new show, alongside fan MP Tim Collins and Barry Letts. Marr talks about his experiences filming, Letts about how self-consciously political the show was and Collins on his hopes for the new show. |
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2’59", slightly widescreen 4:3 Amidst many clips of Rose and The End of the World, Billie Piper talks about her character and why she loves playing her, and also her relationship with the Doctor. Eccleston describes it as "a love story", while Piper talks about the new scripts. |
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1’31", 16:9 After a clip from Rose, fan Chris Balcombe laments the possible increase in cost of the items he wants, while Will Cohen of The Mill jokes about putting their rough work on eBay. |
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1’49", 4:3 Dalek builder Andrew Argyle talks about the new series boosting his sales and shows us a Davros bust, a Mad Old Woman (left) says she thought the Daleks were funny and two Stereotypical Young Ladies vaguely remember being scared as children. Slow news day, was it? |
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9’13", 16:9 The Mill’s Will Cohen appears on the CBBC show to talk about his work on the series. First he explains the concept behind the series and the idea of regeneration (a cropped clip of Logopolis is used). The presenters use a cropped clip of The Green Death to point out how laughable the old series was (which Cohen valiantly defends), and then Cohen explains what he and Dave Houghton do on the new show. Later in the segment, Cohen takes questions from viewers: how he comes up with the computer effects (clips from The End of the World), how he got into his profession ("making tea for everyone") and the scariest moment in the series (which he doesn’t really answer). |
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6’02", 16:9 The digital entertainment program anticipates Doctor Who by showing clips from ‘Rose’ and interviewing Confidential‘s Mark Cossey. Cossey tells us what to expect of the new series, and of Doctor Who: Confidential. He also offers his opinions of Eccleston and Piper, before they discuss the prior Doctors and see a cropped clip of Robots of Death. |
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2’15", 16:9 Karen Davies, winner of the Mastermind Doctor Who Special, appears in the regional news studio for East Anglia, along with Terry Molloy. Molloy talks about his memories, and the stars that appeared in the show, while Davies talks about how she got into the show through the Pertwee Doctor before speaking of her anticipation of the new series. |
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0’30", 4:3 Clips from Attack of the Cybermen, The Daemons, Dragonfire, The Time Meddler, Pyramids of Mars and the documentary The Story of Doctor Who trails the UK Gold celebration day, in which all of these were aired. |
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0’27", 4:3 UKtv Gold’s The Doctor Who Story (which included repeats of The Story of Doctor Who and various classic adventures) opened with a revised version of the Doctor Who @ 40 credits, adding in Eccleston to the end and, naturally, changing the title. |
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24’38", 16:9 The day before the broadcast of Rose, Christopher Eccleston appears on the Jonathan Ross chat show. After some cracks at Michael Jackson’s expense, he introduces his house-band Four Poofs and a Piano, who are wearing Eccleston t-shirts, and the guests for the night (Eccleston, Sally Lindsay, Julian Clarey and Casabian – "cheeky little fuckers") who he likens to the cast of Doctor Who. Ross then goes on to show a "cockrule", which he’ll later introduce Chris to. Chris finally comes on after nearly eight minutes of this, looking extremely uncomfortable in a full suit he’s clearly been crowbarred into by someone’s Mum. He talks about Second Coming and how it led to him asking for the part in Doctor Who, Davies being a fan of the original series (Ross talks about his own sexual fantasies about the show), the scale of the new series, Eccleston’s earliest memories of Troughton, Ross being the Doctor and Billie Piper running off with older men. A clip sequence is presented that is strongly based on the press-launch montage, but lasting 1’50" and featuring a number of clips that did not feature in the prior version. The subject then moves onto Eccleston’s normal typecast characters, his ears and his accent. Ross gives him an easter egg, and then they look through some of the characters from The End of the World (they talk about Cassandra and the Moxx). Ross then shows him a prototype toy of him as the Doctor – Eccleston is a little uncomfortable but manages to make some jokes about it. They finish by talking about Doctor Who going up against Ant & Dec, and Eccleston making some veiled references to the Daleks defeating him. |
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2’55", 16:9 DWAS’ Anthony Wainer talks about his thrill for the evening coming up, his expectations for the Daleks, his opinion of Billie Piper and of the new TARDIS, all while clips from Rose are run, along with footage of the Cardiff launch night and pillarboxed clips of Genesis of the Daleks. |
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0’26", 16:9 Teaser 2b, followed by an advert for Strictly Dance Fever, and further clips from Trailer 1. |
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27’20", 16:9 (Details to follow soon) |
![]() ![]() Soundtrack Violent Femmes – Gordon Ganno: Blister in the Sun The Kinks: Dedicated Follower of Fashion The Killers: Jennie Was a Friend of Mine The Cure: Inbetween Days Elvis vs JXL: A Little Less Conversation Orbital: Halycon The Who: My Generation Procal Harem: Whiter Shade of Pale George Harrison: I’d Have You Any Time David Bowie: Space Oddity The Culture Club: Karma Chamaleon The Hollies: He Aint Heavy He’s My Brother Dead or Alive: You Spin Me Right Round Europe: The Final Countdown Radiohead: High and Dry |
28’25", 16:9 Broadcast straight after Rose, on BBC3, an introduction to the series…
Throughout this series, many clips from the old series (cropped into 16:9) and the new are used, but not catalogued extensively here. A shortened version of this, titled Doctor Who Confidential Cutdown appeared in repeat form on BBC Three, and also on the official DVD release of series one, without the Digital Onscreen Graphic showing the channel logo, which had been present on all broadcasts. |
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0’20", 16:9 A collection of short clips from The End of the World. |
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6’07", 16:9 The first TV announcement of Eccleston leaving – Mark Webster, TV Critic, is surprised that a new Doctor is waiting in the wings (clips from Rose are shown) and also that the contract was only for one year. He gives a positive review of Rose, then talks about the rumours of David Tennant and various preferred choices (Paul McGann and Sean Pertwee). Later in the same edition, a news report from Ben Ando featuring clips from Rose, Eccleston’s statement, and the credits for The Story of Doctor Who is show. Three clips from one show. |
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4’38", slightly widescreen 4:3 GMTV also jumps on the "Eccleston quits" bandwagon. Ben Shephard reports on the high ratings, as he discusses the surprise with his colleagues, and why he chose to leave: not only his fear of being typecast, but his fear of fans and missing his girlfriend. We see some clips of Rose, and from Shephard’s prior interview with Eccleston where he talks about loving the show. They talk about the possibility of Tennant in the TARDIS… |
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5’21", 16:9 Eccleston has announced that he is leaving – Nicola Smith shows clips from Rose and explains the story so far. A clip from an earlier interview confirms that he’d avoided discussing the second series. Clare Hudson of BBC Wales isn’t too surprised. Clips of Casanova introduce David Tennant as a possibility. The people of Cardiff share their thoughts, and some Welsh names are bandied around as a possible replacement. BBC Wales regular uber-fan Kristian Barry talks about how shocked he is and wonders if Eccleston was worried about action figures with his head on. |
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2’00", Slightly widescreen 4:3 David Scillitoe shows clips of Rose as BBC News reports on Eccleston leaving because "he doesn’t want to become typecast". We see a clip of him squirming during the Breakfast interview. Sylvester McCoy briefly appears to talk about the fact that he’s never escaped the show (he conveniently forgets his appearance on Rab C Nesbitt, then) before the program throws out David Tennant, Bill Nighy and Richard E Grant as possible replacements. Two clips from one show. |
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0’12", Slightly widescreen 4:3 Five News briefly reports on Eccleston’s concerns over being typecast over behind-the-scenes footage of Aliens of London. |
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5’13", 16:9 Clips from Rose introduce the show, and then later the hosts discuss Eccleston’s concern over being typecast. Pillarboxed clips from Thirty Years in the TARDIS introduce the concept of regeneration and then an unaired part of the 9th March Breakfast interview is shown in which Eccleston evades a question about the future. Pillarboxed clips from the Tom Baker credits and Revelation of the Daleks are shown before Tom Sandwick offers his opinions (he doesn’t blame him). The others discuss their surprise that he took the role in the first place. Two clips from one show. |
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0’27", 16:9 A Dalek appears alongside other scifi icons to help advertise "Australia’s Best Call Centre". |
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4’49", 16:9 Mark Gatiss appears, primarily to talk about the Qautermass remake. After some clips of the original version, he talks about how he got involved in this production, his memories of the 50s serial, its relevance, fear of live broadcasts and about his character. He then talks about Eccleston leaving Doctor Who and how much fun it was to write his episode. |
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4’49", 16:9 The hosts of GMTV discuss Eccleston’s decision to leave the series and preview some short clips from The End of the World. |
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1’55", 16:9 The news channel announces Eccleston’s departure, and describes the new series as "a ratings success", while showing clips from Rose and an unaired part of the 9th March Breakfast interview in which Eccleston evades a question about the future. Sylvester McCoy talks about not being able to escape the role, and Tennant is touted as a possible replacement, alongside Bill Nighy and Richard E Grant (the fourth Doctor credits are shown). |
![]() ![]() Soundtrack Richard Strauss/City of Prague: 2001 A Space Odyssey Joe Cocker by Preston/Fisher: Burana – You Are so Beautiful The Doors: People are Strange Vangelis: Love Theme Aimee Mann: Nobody Does it Better |
28’34", 16:9
A shortened version of this, titled Doctor Who Confidential Cutdown appeared in repeat form on BBC Three, and also on the official DVD release of series one, without the Digital Onscreen Graphic showing the channel logo, which had been present on all broadcasts. |
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3’18", 16:9 The magazine programme reports on the success of Rose, Eccleston announcing his departure, and The End of the World. Behind-the-scenes clips are shown (along with some clips from the episode itself) and the presenter briefly interviews Eccleston (about his relationship with Rose) and Simon Day (The Steward, about his makeup). The show ends with rumours of David Tennant taking on the role. Editor: Ian Prince |
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9’36", 16:9 Having announced his intention to leave Doctor Who, Eccleston takes part in an interview with Kate Sanderson. He explains how much of his life it had taken up, his memories of the show from his childhood ("very little"), Russell’s writing skills (the "I can feel it" sequence from Rose is shown), the lack of actors in his family, his childhood dreams of playing football, being out of work after Drama School, his work ethic, his love for challenging projects (a clip from Flesh And Blood is shown), the roles he accepts, his (religious) mother’s thoughts on Second Coming (a clip is shown), religion in his upbringing, the background of his aetheism, why he’s not moved to Hollywood, describing himself as "a gargoyle". At the end of the interview, Sanderson presents Eccleston with a remote control Dalek, which he kindly accepts. Back in the studio, a number of Christians discuss belief in science-fiction. |
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5’02", 4:3 Terry Wogan presents opinions of Rose ("Brilliant, brilliant, brilliant", "Utterly thrilling") and speaks to Julie Gardner, who is immensely proud. Another viewer laments the lack of cliffhangers, but Gardner argues that they WILL be back. One viewer is shocked at Jackie Tyler flirting with the Doctor, which Gardner also argues. Comedian Roland Rivron and his family allow themselves to be filmed watching The End of the World and offer their opinions on the show in between clips. |
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2’32", 16:9 Zoe Salmon advertises the forthcoming feature with Matt Baker on the set of Dalek, with a photo of him and Eccleston, and a cropped clip from Genesis of the Daleks before Simon Thomas hands over to Konnie Huq in the Blue Peter garden. Konnie is with Rheese and Jim, the two child creators of a Dalek compost bin that took 5 days to make. They talk through the construction of it until Christopher Eccleston appears, in character, and defeats it with a Blue Peter badge. |
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6’25", 16:9 BBC Four’s DVD review show takes a harsh look at The Mind Robber and Red Dwarf VI, with several cropped clips. Joe Cornish expresses his dissatisfaction with Troughton’s performance and the lunacy of fans, and also with Red Dwarf as a whole. |
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0’20", 16:9 Clips from The Unquiet Dead. |
![]() ![]() Soundtrack Anastasia: Seasons Change Gerry Rafferty: Get it Right Next Time Ray Parker Jr: Ghostbusters Stereophonics: Vegas Two Times Maurice Jarre: Dr Zhivago Propellorheads feat Shirley Bassey: History Repeating |
28’25", 16:9
A shortened version of this, titled Doctor Who Confidential Cutdown appeared in repeat form on BBC Three, and also on the official DVD release of series one, without the Digital Onscreen Graphic showing the channel logo, which had been present on all broadcasts. |
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6’15", 16:9 In a 38-minute BBC Four documentary on Russell T Davies, the subject of Doctor Who comes up several times. We see behind the scenes of The End of the World before Russell praises Doctor Who for his interest in writing (we see cropped clips from The Dalek Invasion of Earth) – Christopher Eccleston gives us his view of Davies. Later, he gives more of an insight into the relaunch of Doctor Who and his position within the team. Two clips. |
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0’07", 16:9 Clip from Aliens of London. This appeared on the DVD box set of The Complete First Series with an extra shot at the start. |
![]() ![]() Soundtrack Christopher Otcaek: Real Wild Child Lenny Kravitz: Are You Gonna Go My Way Tears for Fears: Shout Primal Scream: Rocks Elvis Costello: She Jimi Hendrix: Foxy Lady Blur: Song 2 |
27’23", 16:9 A look at what it takes to be the Doctor’s companion.
A shortened version of this, titled Doctor Who Confidential Cutdown appeared in repeat form on BBC Three, and also on the official DVD release of series one, without the Digital Onscreen Graphic showing the channel logo, which had been present on all broadcasts. |
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0’20", 16:9 The Strictly Dance Fever trailer from 26th March, followed by a brief clip of the specially filmed footage for the teasers, and then five clips from World War Three. This appeared on the DVD box set of The Complete First Series, minus Strictly Dance Fever footage. |
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12’58", 16:9 Nick Briggs and Sylvester McCoy appear on the show to preview Dalek. After a clip from World War Three, viewers caught on the streets of London comment on the high quality of the new series. McCoy is asked if he’s watching the series (he is, and he’s hooked), Briggs is asked about the atmosphere on set (everyone admired Billie & Chris) and then introduces his own ring modulator. A cropped clip from Remembrance of the Daleks shows McCoy facing a Dalek (he hates watching himself), after which he’s asked if he misses it (he doesn’t, but he’s envious of the new technology), his favourite TARDIS interior (the American version) and the levitating Dalek in Remembrance (a preview is shown of the new series Dalek when it begins its assault, and another of its first flight). Richard criticises the Dalek-eye-view graphics (Briggs counters that the Daleks have spent more money on their guns) and the speed of Doctor Who monsters (McCoy describes the difficulties in shooting Remembrance). Briggs gives credit to Barnaby Edwards for sitting inside the Dalek all day, and explains how the actors intermingle more now. He talks about his excitement at being involved, and then demonstrates the ring modulator (the hosts also try). McCoy plugs Arsenic and Old Lace, the theatrical production he’s currently in, and Briggs talks about his work with Big Finish Productions. Richard advertises the first DVD release of the new series, and the CD of Project: Who? |
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5’29", 16:9 Noel Clarke appears on GMTV‘s Entertainment Today spot, following a brief look behind the scenes on Billie Piper’s appearance in The Canterbury Tales (and a short interview clip of Piper talking about saying goodbye to Chris and hello to David). Clarke, following a clip from Aliens of London, explains the story so far and what to look forward to in World War III and then goes on to talk about taking the show seriously and about Tennant taking over. GMTV purports the rumour that season 28 will feature cameos by Little Britain‘s Matt Lucas and David Walliams. Two clips from one show. |
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4’15", 16:9 Andrew Marr, Peter Purves and The Beatles appear in the odd one out round, with a Doctor Who link – a pillarboxed clip from The Ark shows Purves’ performance. Later, "Outrage as Dr Who…" forms part of the missing word round. |
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0’29", 16:9 Sylvester McCoy’s career hits an all-time low has he narrates the advert for the Sun’s week of promo DVDs. |
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0’29", 16:9 Clip from Dalek. This appeared on the DVD box set of The Complete First Series, minus ident. |
![]() ![]() Soundtrack Jet N Cester/C Muncey: Are You Gonna Be My Girl? |
27’57", 16:9
A shortened version of this, titled Doctor Who Confidential Cutdown appeared in repeat form on BBC Three, and also on the official DVD release of series one, without the Digital Onscreen Graphic showing the channel logo, which had been present on all broadcasts. |
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10’46", 16:9 Billie Piper appears on the Channel 4 chat show to promote Dalek. After showing the "elevate!" clip, they discuss what they love most about the show, the changes from the old, Eccleston leaving, Tennant being "adorable", what time she’d travel back to if she could, her singing caree and her relationship with Chris Evans. |
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7’31", 16:9 Blue Peter dedicates a significant portion of its show to previewing Dalek. First some pictures drawn by viewers are shown, and then a montage of clips from the season so far. Christopher Eccleston talks behind the scenes about the plot of Dalek, and Russell T Davies talks about how fantastic Daleks are, over clips of the forthcoming episode. The presenter gets to play inside a Dalek and we see some pillarboxed clips of the first Dalek story. Nick Briggs shows off his ring modulator. |
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2’57", 16:9 Nick Briggs appears on BBC News to promote the evening’s broadcast of Dalek. He talks about his work with Big Finish, a little about the plot of Dalek (with some clips shown) and shows off his equipment. Ooer. |
![]() ![]() Soundtrack Carl Orff/City of Prague: Excaliba: Fortuna From Carmima Big Brovaz: Nu Flow |
28’42", 16:9 The episode that tied in with Robert Shearman’s Dalek-return story.
A shortened version of this, titled Doctor Who Confidential Cutdown appeared in repeat form on BBC Three, and also on the official DVD release of series one, without the Digital Onscreen Graphic showing the channel logo, which had been present on all broadcasts. |
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0’19", 16:9 Two short trailers in which
politicians play out the "D’you wanna come with me" trailer. |
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0’09", 16:9 Two short trailers in which
politicians play out the "D’you wanna come with me" trailer.
This version is much shorter. |
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4’18" 16:9 GMTV reports on the shock news that Dalek is to be classified a 12 on the forthcoming DVD release. After watching some clips, DWAS’ David Bickerstaff goes up against psychologist Cynthia McVey. Bickerstaff thinks its ridiculous, McVey thinks its a sensible decision. |
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0’05" 16:9 A brief clip from Rose previewing the Australian launch of Series One. |
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0’05" 16:9 A brief clip from Rose previewing the Australian launch of Series One. |
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0’05" 16:9 A brief clip from Rose previewing the Australian launch of Series One, very similar to the above but with a different caption. |
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0’39" 16:9 "He’s created a
frenzy across the Universe. Ratings went through the stratosphere.
The smash hit phenomenon is back. Bigger. Bolder. And better than
ever. So… who’s worth making a fuss about. All new Doctor Who is coming
to you." – Clips from the first six episodes, backed with this
voiceover and the Minimal version of Doctorin’ in the TARDIS. |
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0’25" 16:9 "One Doctor
still makes housecalls. Anywhere. Any time. Now he’s coming to your
place." – Clips from the first two episodes, backed with this
voiceover. |
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0’25", 16:9 Ian Hislop compares Peter Snow’s equipment to a collection of Daleks. |
![]() ![]() Soundtrack Lemon Jelly: Come Down On Me Prodigy: Fire Starter Goldfrapp: Lovely Head Tears for Fears: Everybody Wants to Rule the World Daft Punk: Robot Rock Audio Bullys: I Shot You Down Royksopp: Royskopp’s Night Out Aim: What Do People Do All Day Coldplay: We Never Change Chemical Brothers: Block Rocking Beats Tom Tom Club: Wordy Rappinghood Jem Griffiths/Gerrard Young: They by Jem |
28’18", 16:9 This segment, broadcast straight after The Long Game, looks at the humaoid ‘monsters’:
A shortened version of this, titled Doctor Who Confidential Cutdown appeared in repeat form on BBC Three, and also on the official DVD release of series one, without the Digital Onscreen Graphic showing the channel logo, which had been present on all broadcasts. |
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1’52", 16:9 Breakfast news reports on the prior night’s BAFTAs. Amongst other winners we see Piper collecting the award for Doctor Who. |
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0’26", 16:9 People write in to Points of View to complain that the glorious return of the Daleks was less than glorious. Do these people never read spoilers?! |
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1’52", slightly pillarboxed 16:9
Gordon Burns interviews a Dalek, shows some pillarboxed clips of Dalek, and interviews fan Nigel Lata-Burston about the replica
Dalek he’s just bought, and Ian Clarke, who made it for him. David
Thomas shows off his replica TARDIS. It really is THAT easy to get
on the news these days. |
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2’31", 16:9 In a spoof of Doctor Who Confidential, Christopher Eccleston introduces us to his family and explains his reason for quitting: not only are they all from the North, they’re Trekkies. His Mum even once made him Ferengi ears that he still wears. |
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0’09", 16:9 Clips from Father’s Day. |
![]() ![]() Soundtrack Blue Oyster Cult: Don’t Fear the Reaper Ron Grainer: Steptoe and Son Theme Billy Idol: White Weddings Samuel Barber: Adagio for Strings The Pretenders: Don’t Get Me Wrong Puffy Daddy: Come With Me |
28’33", 16:9 The episode following Father’s Day looks at Cornell’s story…
A shortened version of this, titled Doctor Who Confidential Cutdown appeared in repeat form on BBC Three, and also on the official DVD release of series one, without the Digital Onscreen Graphic showing the channel logo, which had been present on all broadcasts. |
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5’05" 16:9 The morning before the broadcast of The Empty Child, BBC’s morning show presents a clip from that episode, and interviews John Barrowman. He introduces Captain Jack and the dynamic he adds to the TARDIS crew, then talks about how much he features ("…until the end of the series: Beyond that we’ll just wait and see."), excitement about being asked to join the cast, his childhood memories of Doctor Who and being in The Producers. |
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0’09" 16:9 Clips from Father’s Day and The Empty Child. |
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0’34" 16:9 Clips from Rose, Very Little Britain, The Bill and Parkinson. |
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0’09" 16:9 Two short clips from Rose. |
![]() ![]() Soundtrack Jamiroquai: Planet Earth Jerry Goldsmith: Capricon One Feeder: Pushing the Senses The Chemical Brothers: Galvanize Keane: Somewhere Only We Know Bonny Tyler: I Need a Hero Led Zeppelin: Black Dog Led Zeppelin: Stairway to Heaven Glenn Miller: In The Mood |
29’02" 16:9
A shortened version of this, titled Doctor Who Confidential Cutdown appeared in repeat form on BBC Three, and also on the official DVD release of series one, without the Digital Onscreen Graphic showing the channel logo, which had been present on all broadcasts. |
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0’25" 4:3 "If you thought the Doctor was out of this world… wait till you meet his friends! This is one party… to end all parties." |
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0’39" 16:9 Clips from The End of the World, Very Little Britain, The Bill and Parkinson. |
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0’09" 16:9 Clips from Father’s Day and The Doctor Dances. |
![]() ![]() Soundtrack Basement Jaxx: Just 1 Kiss Lemon Jelly: Space Walk The Scissor Sisters: Take Your Mamma Out Pilot/Paton-Lyall: Magic Monty Norman: James Bond Theme Daft Punk: Technologic Outkast: My Favourite Things Royksopp: Eple Tom Jones feat Cerys Matthews: Baby It’s Cold Outside Air: Kelly Watch The Stars Thomas Dolby: She Blinded Me With Science Glenn Miller: In The Mood |
28’31", 16:9 (Details to follow soon) A shortened version of this, titled Doctor Who Confidential Cutdown appeared in repeat form on BBC Three, and also on the official DVD release of series one, without the Digital Onscreen Graphic showing the channel logo, which had been present on all broadcasts. |
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0’38", 16:9 Two trailers advertising Doctor Who (and Hancock’s Half Hour and The League of Gentleman) being aired on BBC Radio 7. |
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0’15", 16:9 Two trailers advertising Doctor Who (and Hancock’s Half Hour and The League of Gentleman) being aired on BBC Radio 7. |
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0’29", slightly widescreen 4:3 A Radio Times reader shows off his Doctor Who knowledge in this LivingTV advert for the listings magazine. |
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0’50" 16:9 Promoting the changing schedule in Australia’s ABC channel Saturday night lineup, clips from Strictly Dancing, Taggart, Memphis Trousers, Aliens of London, Parkinson, Outback House, and The Commander. |
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0’30" 16:9 A trailer for the monthly Australian listings magazine, with June’s issue focussing on a behind the scenes look at Doctor Who. |
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0’08" 16:9 A short promo reminding Australian viewers of the time slot for each episode of Doctor Who, with a photo from The Unquiet Dead helping remind us who’s in it. |
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0’09", 16:9 Clips from Father’s Day and Boom Town. |
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0’06", 16:9 A single clip from the episode. |
![]() ![]() Soundtrack Blur: To The End Bon Jovi: Blaze of Glory Keane: Island Faithless: Weapons of Mass Destruction Sergio Mendes/Brasil ’66: Mas Que Nada |
28’29", 16:9 The episode immediately following Boom Town..:
A shortened version of this, titled Doctor Who Confidential Cutdown appeared in repeat form on BBC Three, and also on the official DVD release of series one, without the Digital Onscreen Graphic showing the channel logo, which had been present on all broadcasts. |
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0’05", 16:9 A short collection of clips from the episode. |
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3’12", 16:9 More gushing admiration for the new series, although the Blitz two-parter got complaints that it was too scary (clips demonstrate this). Julie Gardner as ever defends it. |
![]() ![]() Soundtrack The Dandy Warhols: Every Day Should Be a Holiday Tomoyasu Hotei: Battle Without Honour or Humanity Andy Williams/Bob Crewe/Bob Gaudio: Can’t Take My Eyes off You T Connection/Coakley: Do What You Want to Do Eddie and the Eggs: A Cup of Coffee Morcheeba: The Sea Republica: Ready to Go |
28’25", 16:9 The penultimate episode of the first series of Doctor Who Confidential, tying in with the broadcast of Bad Wolf.
A shortened version of this, titled Doctor Who Confidential Cutdown
appeared in repeat form on BBC Three, and also on the
official DVD release of
series one, without the Digital Onscreen
Graphic showing the channel logo, which had been present on all
broadcasts. |
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5’51", 4:3 Annette Badland appears on the UKtv Food show. She talks about her career and her hopes for the future, the plot of Boom Town, farting aliens, her latest film, her attitude towards Sunday lunch and a role in The Archers. Later she sits down to eat food with them. Thrilling TV all round. Three clips from one show. |
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8’16", 16:9 Amidst various Doctor Who jokes, Jeremy Clarkson interviews Christopher Eccleston. He talks about the fear factor, especially of The Empty Child – he realised early on that it was his responsibility to make the world of Doctor Who seem safe for young viewers. Clarkson tries to get the job of Eccleston’s replacement, and pulls in the comparisons with the ex-Doctor, who refers to him as "part sheep". Chris has only been driving for 14 months, and he shares an anecdote about the filming of Gone in 60 Seconds. As he only has an automatic license, Top Gear tracked down one of the 40 Suzuki Liana automatics in the UK so he could take part in the Liana challenge – where celebrities drive round a race track. He manages it in 1’52.04", placing him between Vinnie Jones and Jordan (Katie Price). |
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0’29", 16:9 Clips from World War Three aired in advance of the episode in Australia. |
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0’10", 16:9 A series of short trailers running daily until the day before the final episode of series one. 13th June – 1a – "I am the God of all Daleks" "…in 5 days" – 0’10" 14th June – 1b – "I am the God of all Daleks" "…in 4 days" – 0’10" 1a, 2, 3a, 4a and 4b appear on the Complete First Series DVD set. |
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0’10", 16:9 A series of short trailers running daily until the day before the final episode of series one. 14th June – 2 – Daleks in flight "…in 4 days" – 0’10" 1a, 2, 3a, 4a and 4b appear on the Complete First Series DVD set. |
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0’10", 16:9 A series of short trailers running daily until the day before the final episode of series one. 15th June – 3a – "TARDIS detected!" "…in 3 days" – 0’09" 16th June – 3b – "TARDIS detected!" "…in 2 days" – 0’09" 1a, 2, 3a, 4a and 4b appear on the Complete First Series DVD set. |
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0’10", 16:9 A series of short trailers running daily until the day before the final episode of series one. 16th June – 4a – "If this message…" "…in 2 days" – 0’09" 17th June – 4b – "If this message…" "…in 1 day" – 0’10" 1a, 2, 3a, 4a and 4b appear on the Complete First Series DVD set. |
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9’46", 16:9 Russell T Davies appears in studio to talk about Doctor Who. We see clips of Father’s Day, The Empty Child and Bad Wolf, and then one of the presenters explains that she hasn’t watched the new series because she was terrified as a youngster. Davies is very good humoured about all this. Davies talks about the risk of bringing back the show, the fan backlash and making it accessible. We get a sneak preview of The Parting of the Ways and Davies goes on to talk about the show’s reputation, the loss of Christopher Eccleston, Billie Piper staying on and the mystery of the Bad Wolf. |
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0’14", 16:9 A brief report, utilising behind the scenes footage, and clips from The End of the World and Aliens of London, confirms that not only will Piper be back for a second series, but that the show has been renewed for a third already. |
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0’32", 16:9 A series of short trailers running daily until the day before the final episode of series one. 18th June – 5 – "Every living creature dies" "Time is up: Tomorrow…" – 0’16" 19th June – 5 – "Every living creature dies" "Time is up: Tonight…" – 0’16" |
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10’09", 16:9 John Barrowman appears on GMTV‘s Entertainment Today segment. We see a clip of him in The Parting of the Ways and then he talks about kissing Billie Piper (and Christopher Eccleston), Jack’s development in the final episode, whether or not he’ll return in the next season and his Glasgow accent. The next Entertainment Today guest appears, and Barrowman eyes him up a little. After the break, Barrowman takes part in the ongoing Sweetstakes game. Three clips from one show. |
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0’29", 16:9 Clips from World War Three, Parkinson, Very Little Britain and The Bill. |
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0’05", 16:9 Clips from World War Three. |
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11’05", 4:3 The interactive channel linked to CBBC takes a look at Doctor Who, beginning with a montage of Bad Wolf and The Parting of the Ways and then interviewing Phil Collinson, who explains why Doctor Who is on Saturdays, where the Doctor comes from, what’s inside a Dalek, whether the Doctor will land on an alien planet (yes, next year!), why Doctor Who is so scary and then asking some children why they like Doctor Who. There is then a clip from the twelfth episode of Confidential, featuring Russell T Davies, Billie Piper and the organiser of the Brighton Doctor Who exhibition. |
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43’37", 16:9 Broadcast immediately prior to The Parting of the Ways, this documentary compiled some of the best moments from the first series of Confidential.
|
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0’33", 16:9 Clips from The Parting of the Ways,
Aliens of London, The
Unquiet Dead, Father’s Day, The End of the World,
The
Empty Child, Rose, Dalek, World War Three
and The Doctor Dances, which immediately followed the
broadcast of the final episode of series one. |
![]() ![]() Soundtrack Prodigy: Breathe Rob Dougans: Clubbed to Death The Pretenders: I’ll Stand by You Snow Patrol: Run |
28’56", 16:9 The final episode of the first series of DWC looks at the Daleks, the end of the ninth Doctor and the new companions…
A shortened version of this, titled Doctor Who Confidential Cutdown appeared in repeat form on BBC Three, and also on the
official DVD release of
series one, without the Digital Onscreen
Graphic showing the channel logo, which had been present on all
broadcasts. |
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0’23", 16:9 Clips from Parkinson, Very Little Britain, The Bill and Dalek. |
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0’30", 16:9 A moody trailer for Dalek with legends… "They’re programmed to kill They only have one emotion They’ve destroyed entire worlds Now they’re back." |
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0’04", 16:9 Brief clips from Dalek. |
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0’04", 16:9 A lengthy collection of clips from The Long Game with the indie song Spaceman backing. |
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0’04", 16:9 Brief clips from The Long Game. |
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0’58", 4:3 Immediately after the BBC One broadcast, UKtv Gold began running series one. A 58" trailer advertised "The Good [Jonathan Ross], The Gay [Little Britain] and The Ugly [Doctor Who]", while two specific trailers (0’29", 0’09") advertised a stripped week of Doctor Who, showing clips from most episodes (the shorter just based on a clip from Aliens of London). |
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0’05", 16:9 Clips from Rose, The End of the World and The Unquiet Dead advertise the DVD release along with the CD of Project: Who?. |
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0’19", 16:9 Clips from the 19th March edition of Parkinson in which Billie Piper appeared to promote Doctor Who, prior to its July airing in Australia. |
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0’29", 4:3 Immediately after the BBC One broadcast, UKtv Gold began running series one. A 58" trailer advertised "The Good [Jonathan Ross], The Gay [Little Britain] and The Ugly [Doctor Who]", while two specific trailers (0’29", 0’09") advertised a stripped week of Doctor Who, showing clips from most episodes (the shorter just based on a clip from Aliens of London). |
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0’09", 4:3 Immediately after the BBC One broadcast, UKtv Gold began running series one. A 58" trailer advertised "The Good [Jonathan Ross], The Gay [Little Britain] and The Ugly [Doctor Who]", while two specific trailers (0’29", 0’09") advertised a stripped week of Doctor Who, showing clips from most episodes (the shorter just based on a clip from Aliens of London). |
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0’15", 16:9 Brief clips from Father’s Day with the legend "Be careful what you wish for" |
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0’09", 16:9 A short caption of the night’s lineup, used from Father’s Day through to the end of the season. |
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0’09", 16:9 Brief clips from Father’s Day. |
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0’09", 16:9 Brief clips from The Empty Child. |
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0’30", 16:9 A collection of clips, focussing on the introduction of Captain Jack and the effect it will have on the TARDIS team’s dynamic. |
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1’09", 16:9 At the end of an interview, Michael Grade admits that he really likes the new Doctor Who, and we see a clip of Andrew Marr in Aliens of London. |
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8’29", 16:9 The episode opens with a dramatised sequence of Gethin re-enacting the opening of Rose, with the Doctor Who theme running over the opening credits. Later, the team announce a competition to win the chance to have your monster design appear in the second series, with clips of kids reminiscing about their favourites from the first. Four clips. |
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7’01", 16:9 In order to help provide inspiration for the 19th July competition, Blue Peter shows clips from every episode of series one, and then invites Neill Gorton to turn one of the presenters into an alien. Fab! Two clips. |
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0’06", 16:9 A brief selection of clips. |
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0’16", 16:9 A brief report on David Tennant’s new outfit. |
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0’10", 16:9 Over a clip from the credits (and a very brief clip from Rose) a report that the Queen is a fan of the series. |
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4’10", 16:9 A brief reminder of the Design A Monster competition launched recently, with clips behind the scenes of Dalek and The End of the World shown for inspiration. A Dalek gives the Blue Peter address and Konnie Huq tells us that over 4,000 entries have been received so far. |
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4’06", 16:9 Clips of Rose and Aliens of London introduce another reminder of the Design A Monster competition. |
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0’30", 16:9 A clip collection aired on the day of the Australian premiere. |
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0’10", 16:9 Another clip collection for Boom Town. |
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2’39", 16:9 Host Ellie Crissell hands over to Lizo, who is in Cardiff to interview David Tennant, via a clip from The Parting of the Ways. Tennant talks about his entrance scene and how daunting it is being involved. Lizo explains how succesful the show has been, and Tennant confesses that if the series fails it will be his fault. Piper is briefly interviewed to say how "adorable" her new co-star is, and Tennant concludes by saying how unusual it is being in a show he’s been watching, and one final clip is shown of the opening credits. Two clips from one show. |
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4’17", 16:9 Another reminder of the Design a Monster competition. |
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1’45", 16:9 After a clip of Rose, wee see a short interview with David Tennant on being excited but daunted, followed by Anthony Wainer of the Doctor Who Appreciation Society talking about how excited he is by the change. |
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1’55", 16:9 The local news show reruns the report from News 24, including the same opening clip of Rose and the soundbite from Anthony Wainer. |
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0’15", 16:9 A report on the fact that the 1 o’clock news reported on the filming of the new series. |
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2’42" 16:9 The local news programme visits the first days of filming and interview Tennant, who talks about how daunting it is, and Piper, who talks about how "adorable" her new co-star is. They then talk to DWAS member Anthony Wainer, who is positive about the change. Item finishes with a clip from Rose. Three clips from one show – essentially an extended version of the News 24 report from earlier in the day. |
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5’33" 16:9 Before another reminder of the Design A Monster competition, Gethin arrives in studio inside a Dalek that’s been home made and signed by various stars of the original series. Two clips from one show. |
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2’20" 16:9 Clips of Aliens of London, Parting of the Ways, Boom Town and The Unquiet Dead introduce the final reminder of the Design A Monster competition. The beautiful Konnie Huq doesn’t appear in this update, however, so here’s a grab from the opening credits instead. Two clips from one show. |
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1’20" 16:9 In a report on the annual Eistedfodd festival we see someone’s taken along a TARDIS. |
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0’29", 16:9 A clip collection aired on the day of the Australian premiere. |
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0’09", 16:9 Another clip collection for Bad Wolf. |
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0’28", 16:9 A clip collection aired on the day of the Australian premiere with a legend "Series final" opening the trailer and the Minimal version of Doctorin’ in the TARDIS used throughout. |
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0’06", 16:9 Another clip collection for The Parting of the Ways. |
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2’20" 16:9 On the interactive CBBC channel, a competition is launched to win the vanilla DVD releases of series one (with the final volume being posted on its release date). |
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18’47", 16:9 Opens with clips from Rose, Aliens of London, The Unquiet Dead, The Long Game, The End of the World, Father’s Day Liz Barker and Gethin Jones, with the help of a Dalek, remind viewers about the Doctor Who competition previously launched, and show footage of the entries being sifted through, including Jones, editor Richard Marsden (previously of ‘Doctor Who Magazine’) and Russell T Davies looking through the 500 runner ups to pick the winners. Along with Matt Baker, the four look through some of the many runners up, with the help of clips from the opening credits and Murray Gold’s theme. Following a clip from The Parting of the Ways, David Tennant joins Barker, Jones and Baker – He refuses to give much away about the new season, which has started filming, and then they turn to randomly selected viewer questions: Was he previously a fan (he was); what did he think of his immediate predecessor (he enjoyed it); where would he travel in time and space (Aberdeen, or the first performance of Hamlet); and how will his Doctor be different from Eccleston’s (watch and see…). They then turn to the finalists of the competition, which they all talk though, and announce the prizes (the complete ‘vanilla’ DVD releases of the latest season, a remote control Dalek and a TV/video combi). Tennant announces the ultimate winner as William Brantham with his Abzorbaloff, and they interview Brantham over the phone, who discusses his inspiration and asks Tennant who his favourite Doctor is (it’s Tom Baker). Neill Gorton then appears to tell the audience how they’ll use a combination of a large costume and animatronics to create the character. The episode ends with a performance from the London Gospel Community Choir, which Tennant and the presenters dance to. Clips from this, and behind-the-scenes footage, would later appear in the eleventh episode of Doctor Who Confidential‘s second series. |
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0’32", 16:9 Immediately following the Blue Peter broadcast above, CBBC presenter and forthcoming Who guest star Andrew Hayden-Smith congratulates William and reminds us to hit the red button to watch CBBC eXtra. |
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6’30", 16:9 Louise Jameson appears on Loose Women. She talks about her hair, being in the West End, acting dowdy, playing glamorous characters such as Leela, Billie Piper’s work on Doctor Who, the menopause and alternatives to HRT. |
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4’12", 16:9 A Dalek makes a surprise appearance at the Blue Peter proms as the orchestra plays the theme tune and we see some of the best entries in the Design a Monster competition. Two clips from one show. |
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2’23", 16:9 In a series of sketches, a Doctor Who fan tries to spice things up in the bedroom by dressing up as the Doctor and inviting friendly Cybermen along. Four clips. TME cannot assertain if these are all from the same edition of Swingers or from separate episodes. |
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7’24", 16:9 John Barrowman appears to talk about his role on Doctor Who, shortly before the announcement of Torchwood. We see a clip of him in Boom Town before he talks about his role in A Few Good Men, not being in Doctor Who series two but appearing in series three, his chemistry with Eccleston and kissing the Doctor, his plans to go to the LA convention in February [Gallifrey], his Scottish heritage, his singing talents, his thoughts on global terrorism (specifically related to the 7th July London bombings) and the forthcoming Sound of Musicals. |
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7’13", 16:9 John Barrowman talks about what makes women sexy ("something to hold onto"), and generally flirts for seven minutes. And also talks a little about being Scottish, his career and staying sober. |
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0’22", 16:9 A brief announcement for Torchwood, featuring a clip from The Parting of the Ways. |
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2’06", 16:9 [DVD presented in 4:3
with bars] An advert for existing and forthcoming 2Entertain products, including two clips from The Parting of the Ways and one from Rose, featuring Christopher Eccleston and Billie Piper. First appeared on a series of 12 discs given away free with the Daily Mail from 19th-24th September. |
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7’56", 16:9 John Barrowman appears on this talk show, introduced by a clip from The Parting of the Ways, primarily to discuss the recently announced Torchwood, amidst much flirting by the presenters. He explains Captain Jack’s bisexuality, and his own views on sex, before going on to talk about his excitement around Torchwood. |
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22’00", 16:9 The eleventh annual awards broadcast on ITV, based on the last twelve months of terrestrial TV (BBC One, BBC Two, ITV, Channel Four, Channel Five), voted for by the public and hosted by Trevor McDonald. The opening credits start and end with clips from The End of the World. Politicians David Cameron and David Davis introduce the Best Drama nominees – Doctor Who (a clip from Dalek is used), Desperate Housewives, Bad Girls and The Bill. Billie Piper, along with Noel Clarke and Camille Coudori, collects the award, thanking the producers and the audience. Actor Gary Duordan (introduced with a clip from CSI) announces the nominations for Most Popular Actress – Billie Piper (a clip from Parting of the Ways is used), Eastenders‘ June Brown, Life Begins’ Caroline Quentin, Eastenders’ Jessie Wallace and Coronation Street’s Sally Lindsay. Piper thanks the producers, Eccleston, her agents, her family and friends and her boyfriend. A backstage clip is also shown. Actress Joan Collins announces the nominees for Most Popular actor – Christopher Eccleston (a clip from The Doctor Dances is shown), Eastenders‘ Nigel Harman, Doc Martin’s Martin Clunes, Coronation Street‘s Bradley Walsh and Eastenders‘ Shane Richie. Due to a bug, Eccleston cannot attend, so Davies accepts the award and thanks the British public, dedicating the award to the memory of a young fan. Five clips. |
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0’36", 16:9 Having won three awards that night, Billie Piper and Russell T Davies talk to ITV2 about their excitement. |
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1’58", 16:9 The countdown show looks at David Tennant’s career to date, with contributions from Alexandra Looseley-Saul, Tim Teeman, Jeff Mirza, Bob Mills and cropped clips from The Secrets of Croftmore and Rab C Nesbitt. |
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0’07", 16:9 In an episode of the third series of the Channel 4 sitcom, Michelle is compared to a "friendly Dalek". |
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4’17", 16:9 A week after her awards success, and prior to her appearance in Much Ado About Nothing, Piper appears live (but not in studio) on GMTV. She discusses her thrill at winning the award, her attraction to Much Ado, the modernisation of the script and her co-stars before moving to a clip from the film. They then discuss her preparation for the role, and the filming of the latest series of Doctor Who. |
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0’20", 16:9 Brief trailer advertising the forthcoming mini episode, including clips from the night and Madonna’s Hung Up music video. |
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3’58", 16:9 David Tennant talks about the unusual nature of his role, Billie Piper talks about the upcoming monsters (she finds the Cybermen "sexy") and the highlights of filming so far and then they turn on the Cardiff Christmas lights. |
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2’15", slightly widescreen 4:3 In addition to the night’s OTHER big Who celebration, Terry Molloy in on hand in the North West region, along with two Daleks, a Cyberman, and some rather lost Stormtroopers. He presents a cheque from the Hyde Fundraisers for £4000, which had been raised by the Trial of Davros stage production. Three clips. |
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7’35", 16:9 A special mini-episode, written by Russell T Davies, directed by Euros Lyn and introduced by Terry Wogan, in which Rose has to get used to the new Doctor in the shape of David Tennant. |
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0’53", 16:9 Clips featuring Tennant and Piper, generally pretending to be other people, begging for money for Children in Need. These were placed at the end of the above mini-episode on an online version immediately after broadcast. As with the mini-episode, these were webcast without a phone number in the corner, but in very poor quality.
0’16": Tennant is Piper and Piper is Tennant. |
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0’41", 16:9 Billie Piper appears in the opening credits on a "Professor Who?" poster. She was also interviewed in the opening episode of the series, but failed to mention Doctor Who entirely. |
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0’26", 4:3 A Dalek gatecrashes the advert for the New Years Eve celebrations on BBC1. |
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2’12", slightly widescreen 4:3 A report on what parents should be buying their offspring if they want to keep them quiet for at least a day or two after Christmas, including a remote control Dalek. |
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0’10", 4:3 Although focussing more on the Narnia links, this trailer features the cover of the Christmas Radio Times, which centres around a TARDIS image. |
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0’29", 16:9 A remote control Dalek appears as one of the top items in Debenhams Christmas wishlist. |
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0’28", 4:3 Clips from every episode of series one up to and including Father’s Day, and some from The Parting of the Ways, are used by Woolworths to promote the box set. |
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0’10", 16:9 Short clip of a Christmas tree followed by "Something’s Coming…" |
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0’10", 16:9 Short clip of killer Santas followed by "Something’s Coming…" |
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4’17", 16:9 A Dalek introduces the show, and then later returns to threaten the presenters, reminding them to show photos of some home-made Daleks. Tennant is interviewed in his trailer, refusing to give away too much about The Christmas Invasion, before a clip is shown, and then a competition is launched to win the new series DVD box sets. The Dalek later urges viewers to recycle mobile phones. Three clips from one edition. |
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0’14", 4:3 "Something’s Coming…" followed by the first UK teaser trailer, then "…and it’s not a sleigh", followed by the second. Star Trek: Deep Space Nine font used throughout. |
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0’30", 16:9 "Something’s Coming…" followed by a series of clips. |
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2’14", 16:9 A brief clip of The Christmas Invasion. |
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2’05", 16:9 The host introduces young interviewer Calum, who (after showing a short clip of The Christmas Invasion) interviews David Tennant. He congratulates him on getting the role, then asks him if he’s a fan himself (he certainly is), what monsters are the scariest (he talks about the Cybermen and an upcoming werewolf). Calum tells us where he’d go if he had a TARDIS, and a further clip of the Christmas special is shown. |
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0’48", 16:9 The breakfast show previews a brief clip of The Christmas’ Invasion. |
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3’12", 16:9 In the first of a series of segments on Welsh people who’ve had a spectacular 2005, Russell T Davies talks about his year to Claire Summers, amidst clips from Rose and the opening title sequence (with the former oddly squeezed down into widescreen within the 16:9 frame). A clip from The Christmas Invasion prompts Davies to talk about how this is the Doctor Who he always wanted to make, their reluctance to over-analyse what had made the show popular originally, the core idea from 1963, the Christmas Special being memorable to kids, where he’d go in the TARDIS (the year of his birth) and his favourite Doctor (always the current one). Two clips from one show. |
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8’48", 16:9 David Tennant is interviewed on the morning TV show (his first live interview as the Doctor). Following a clip from the opening credits and another from The Christmas Invasion, he discusses being daunted by the new role, his privilege at taking over from Eccleston, Tom Baker being his favourite, his future plans (at least a second series), Piper’s future and his Doctor being "waspish" (this surprises him). A further clip from The Christmas Invasion is then shown, followed by discussion of sleeping through most of the episode ("it’s tough"), his other recent work (Goblet of Fire, Secret Smile), his input on character creation and the return of the Cybermen. |
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1’26", 16:9 A sketch in which the tenth Doctor (Jon Culshaw) hosts a Christmas party for his past selves. The seventh Doctor (Kevin Connelly) chases the second Doctor (Mark Perry) with some tin foil, the fourth (Jon Culshaw again) spikes the drinks, and the ninth (Phil Cornwell) refuses to watch The Christmas Invasion. |
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0’29", 16:9 A further collection of clips from the Christmas special. |
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12’54", 16:9 Ross introduces Tennant with a joke about his predecessor’s early flight from the show. Tennant talks about being both excited and daunted, saying it’ll be his fault if it all goes wrong. Ross asks how much of Tennant he put into the role, and wonders if he’ll have a tick, or perhaps a limp. Tennant is surprised by the diversity of fandom (erm, but you’re a fan, David), Ross is concerned about K9 returning (David allays his fears somewhat) and shows his guest a prototype figure of himself ("utterly bizarre"). They discuss his Scottishness and then watch a clip of The Christmas Invasion. Ross is shocked that Tennant won’t commit himself to answer a question on his longevity, and the two descend into flirting. They talk about Billie’s fantastic acting, and her plans for the future (Tennant lies and says she’s staying), and Ross shows off a prototype Him-As-The-Doctor toy. The subject of Harry Potter (and a clip) comes up, and Tennant’s plans for Christmas. |
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0’14", 4:3 A short collection of clips broadcast immediately after The Christmas Invasion. |
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14’07", 4:3 Visit our Games Guide for info. |
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16’26", 16:9 Jonathan Ross presents the highlights of May and June of 2005 – amidst clips of horses penises, various people falling over, and Davina McCall’s cleavage (euw) is Eccleston’s regeneration into Tennant. Ross makes a joke about Eccleston’s early finish, and then passes to Jamie Murray and Robert Vaughn to present the award. After the nominations go to some football match or other, Emmerdale, Deep Jungle and Doctor Who: The Empty Child, Billie Piper goes to collect the inevitable award – she thanks the writer, producers and cast. Later, Minnie Driver announces the nominations for moment of the year: Celebrity Big Brother, Comic Relief, Doctor Who, Elephant Diaries, Eastenders and Doc Martin. Piper takes to the stage again to thank the public. Two clips from one show. |
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0’47", 16:9 As part of his appearance in ITV’s New Year celebrations, Barrowman discusses what a big year it’s been for him – with Doctor Who behind him and Torchwood coming up. |