Revelation Exhumed (45'52")
An exhaustive documentary on the making of this classic.

Eric Saward ponders the concept of putting death at the centre of a story.
Clive Swift describes the whole thing as "bizarre", Graeme Harper enthuses over the guest characters and Trevor Cooper discusses the relationship between Jobel and Tasambeker - Saward explains his inspirations.
Pat Godfrey and Swift discuss Jobel's toupee and Saward expresses his disappointment at Tasambeker's performance.
Hugh Walters offers his thoughts on the character relationships and his death scene. Saward explains his intentions with Kara and Vogel.
Godfrey on Eleanor Bron's costume.
Saward, Harper, Godfrey and William Gaunt discuss Orcini.
Colin Spaull explains the Laurel and Hardy style double-act he formed part of.
Talk turns to Davros... Cooper, Molloy and Saward discuss the transition from a ranting Davros to a more subtle and three-dimensional character.
Molloy talks about the mask problems and Saward about the challenges facing a writer using the Daleks. Roy Skelton and Alexei Sayle explain how the voice artists tried to help add some differentiation to them.
Skelton then goes on to talk about the relationship between Dalek operators and voices and Sayle accuses them of being a bit camp. The cast then all recall how much they'd kept themselves to themselves.
Harper, Saward and Sayle discuss the DJ character, and Saward his concerns at Sayle's very deadpan rehearsals.
Saward tells us hid disappointment at the development of Peri and the changes he tried to introduces in this story.
Godfrey talks about the blue funeral outfits briefly.
Saward explains the statue was written in at the request of John Nathan-Turner and Swift offers his somewhat negative opinion on it.
Designer Alan Spalding talks about location hunting and prop pinching, John Brace about enhancing the IBM building and Harper on the design work overall.
The unexpected snow is next up - Harper, Godfrey, Spalding and Brace talk about how they overcame the shocking conditions, the Daleks and trying to find a lake.
Walters tells us the difficulty of working with special effects.
Brace reminds us how important the director is, Harper talks about his memories of Caves of Androzani, Saward explains why they asked Harper back and Spalding covers the cunning lighting Harper came up with.
Gaunt and Cooper talk about Harper's origins, Spaull about his willingness to discuss scenes with actors and Cooper, Saward, Molloy and Roger Limb about his positive energy. Harper explains why he likes to work on the studio floor.
Limb covers his music and why he enjoyed working with Harper. Harper also enthuses about Limb's work.
Harper and Saward offer their final thoughts on the long-lasting appeal of the story.

Interviewer: Victoria Berry
With Thanks To Dan O'Keefe, Mark Dando, Mark Knops, Steve Roberts, Mark Ayres, John Brace, Tim Splisbury
Camera: Paul Rawson, Paul Vanezis
Sound: Mark Windsor-Hampton
Colourist: Jonathan Wood
Music: Roger Limb, Matt Shire-Jones, Tony Gordon
Editor: Ed Stradling
Producer: John Kelly
BBC Worldwide (C) BBC MMV

	Revelation Exhumed (45'52") An exhaustive documentary on the making of this classic. Eric Saward ponders the concept of putting death at the centre of a story. Clive Swift describes the whole thing as "bizarre", Graeme Harper enthuses over the guest characters and Trevor Cooper discusses the relationship between Jobel and Tasambeker - Saward explains his inspirations. Pat Godfrey and Swift discuss Jobel's toupee and Saward expresses his disappointment at Tasambeker's performance. Hugh Walters offers his thoughts on the character relationships and his death scene. Saward explains his intentions with Kara and Vogel. Godfrey on Eleanor Bron's costume. Saward, Harper, Godfrey and William Gaunt discuss Orcini. Colin Spaull explains the Laurel and Hardy style double-act he formed part of. Talk turns to Davros... Cooper, Molloy and Saward discuss the transition from a ranting Davros to a more subtle and three-dimensional character. Molloy talks about the mask problems and Saward about the challenges facing a writer using the Daleks. Roy Skelton and Alexei Sayle explain how the voice artists tried to help add some differentiation to them. Skelton then goes on to talk about the relationship between Dalek operators and voices and Sayle accuses them of being a bit camp. The cast then all recall how much they'd kept themselves to themselves. Harper, Saward and Sayle discuss the DJ character, and Saward his concerns at Sayle's very deadpan rehearsals. Saward tells us hid disappointment at the development of Peri and the changes he tried to introduces in this story. Godfrey talks about the blue funeral outfits briefly. Saward explains the statue was written in at the request of John Nathan-Turner and Swift offers his somewhat negative opinion on it. Designer Alan Spalding talks about location hunting and prop pinching, John Brace about enhancing the IBM building and Harper on the design work overall. The unexpected snow is next up - Harper, Godfrey, Spalding and Brace talk about how they overcame the shocking conditions, the Daleks and trying to find a lake. Walters tells us the difficulty of working with special effects. Brace reminds us how important the director is, Harper talks about his memories of Caves of Androzani, Saward explains why they asked Harper back and Spalding covers the cunning lighting Harper came up with. Gaunt and Cooper talk about Harper's origins, Spaull about his willingness to discuss scenes with actors and Cooper, Saward, Molloy and Roger Limb about his positive energy. Harper explains why he likes to work on the studio floor. Limb covers his music and why he enjoyed working with Harper. Harper also enthuses about Limb's work. Harper and Saward offer their final thoughts on the long-lasting appeal of the story. Interviewer: Victoria Berry With Thanks To Dan O'Keefe, Mark Dando, Mark Knops, Steve Roberts, Mark Ayres, John Brace, Tim Splisbury Camera: Paul Rawson, Paul Vanezis Sound: Mark Windsor-Hampton Colourist: Jonathan Wood Music: Roger Limb, Matt Shire-Jones, Tony Gordon Editor: Ed Stradling Producer: John Kelly BBC Worldwide (C) BBC MMV
	In Studio (15'36") Highlights from the sole surviving 80 minute tape of raw footage. Music: Roger Limb Producer: John Kelly BBC Worldwide (C) BBC MMV Information Text By Richard Molesworth CGI Effects An option to view the story with recreated laser beams and levitation shots. The sequence with the levitating Dalek that explodes had to be recreated from scratch using a modern Dalek model against greenscreen.
	Deleted Scenes (2'15") Three short scenes edited from the programme before broadcast.
	Easter Egg: ADR Work (0'48") Nudge left on the main title screen from Episode Selection, to see video footage of the actors recreating sounds from 20 years previously, in the name of the 5.1 mix.